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Lil Wayne – Tha Carter II / Tha Carter 2 – Album Quality: iTunes Plus AAC M4A Download Free Zippyshare Batshare Sharebeast Released: December 6, 2005 ℗ Cash Money, Young Money, Universal Tha Carter II is the fifth studio album by American rapper Lil Wayne, released on December 6, 2005 in the United States. Upon its release, Tha Carter II received generally positive reviews from most music critics, with several praising the lyricism and artistic growth demonstrated by Wayne on the album. David Jeffries of Allmusic praised the album’s balance of “hookless, freestyle-ish tracks” and “slicker club singles”, commenting that “the well-rounded, risk-taking, but true-to-its-roots album suggests he can weather the highs and lows like a champion.”.
Many people have made the point that Lil’ Wayne has no business being considered a top tier rapper because he has no classic album. People just like those once said the same thing about Eminem. Unfortunately we don’t always understand what we have experienced until much time has passed. Consider Jay-Z and his debut. Critics and Hip-Hop fans alike wrote it off when it was released originally. By 2000 that album was considered an undeniable classic.
This brings me to Lil Wayne’s Tha Carter II. Many will say this is Wayne’s best compilation of work. It is an album that is post Hot Boys, yet pre-stardom for Weezy F.
Although Wayne was not considered a mainstream star like he is now, he did gain a lot of notoriety from his previous effort Tha Carter and his mixtape with DJ Drama entitled The Dedication. With this album Wayne intended to up the ante a little bit and prove his claim as the best rapper alive.
Tha Mobb Produced by Heatmakerz No hooks found on this one. This is just Wayne showing his lyrical prowess on this one. The production is simple yet perfect for this track. Heavy bass is and Wayne delivers a very witty and somewhat long introduction track for this album. After listening to this track you can tell Lil’ Tune did not make this album for the mainstream. He drops jewels such as the “Beat keep crying/And I’m gonna keep beating her/Fee I’m fucking her/I’m deep in her/Sleep in her” 2. Fly In Produced by T-Mix & Batman This short track is to introduce the listener to the upper levels of “Tha Carter” which is Wayne’s Domain.
This is another no hook joint with only one verse. This beat will be used two other times on the album. Wayne starts off the track with some unbelievable lines. “They call me Mr. Carter I kissed the daughter Of the deads forehead I killed the father Spilled the heart of a mildew hater I will put them body on chill like gla-ciers Gracias I’m crazy yes it’s obvious Going against me is atheist I got my angels on my shoulders and a quarter of that angel dust” 3.
Money On My Mind Produced by The Runners & DJ Nasty & LVM Once this Track starts I started thinking that this album has not yet had one piece of production that I haven’t liked, nor could possibly be considered radio friendly. Another track based around hard bass, plus somewhat of a dark feel. I must say this song did remind me a little of Hov’s swag with lines like “Dear Mr.
Toilet I’m the shit/Got these other haters pissed/Cause my toilet paper thick.” 4. Fireman Produced by Malkam Dior This served as the first single off of the album.
Although the production still fits the albums feel, it is much more radio oriented. Honestly, the song had to grow on me. I just remember Wayne walking around with fire around and catching a ride on a fire truck. I don’t know what that was about, but the song is pretty good. I guess this is around the time Weezy F. Became a star because a rapper with no relevance dissed him over this song. He claimed he was the fireman first Drag-on done fell off smh.
More Fire Produced by Yonny This is Weezys attempt at Reggae. Someone should have taken away his Purple Sprite when he said this was going on the album. I guess its better than the T-pain voice thing though. Seriously I had a hard time even figuring out what he was trying to say. On Tha Block #1 (Skit) Normally I don’t like skits on the album, but. No I can’t lie to you guys skip this. It’s just Wayne and Mack Maine talking about someone wanting to battle on film in South Beach.
Best Rapper Alive Produced by Bigg D This production may be the first time I had heard Wayne use a rock influenced beat. Many people didn’t like the song but I did. The strings seem to really bring Wayne a certain energy that most rappers do not have. He dropped some dope lines too. “Fuck up wit all these rookie MCs (whew!) smell like a bunch of pussy to me Fuck Em!
Fuck ’em good fuck long fuck ’em hard Fuck who? Fuck ’em all” 8. Lock And Load Feat. Kurupt; Produced by T-Mix & Batman One disappointment off the top. No Verse by Kurupt. He would have been able to kill this beat, plus I think Wayne would have come even harder on this.
Oh No Produced by Yonny At first I was worried when I read that Yonny had produced another track for this album after the disaster of “More Fire”. To my enjoyable surprise though, he delivered a nice track. Heavy bass and Wayne defiantly delivers. No hook but a nice sample that seems to make the song feel complete. Wayne hits you with a day in his life with the line “Pick a city buy a condo/Find a fine hoe/Let some time go/Chill/What you know about a bongo/Having her mind go/Over a convo/ about dough/Nothing”.
Grown Man Featuring Curren$y; Produced by T-Mix & Batman & Malkam Dior This definitely changes the vibe of the album a little bit. This is the only song that feels like it was made for radio success.
It’s not bad at all though. This is the first place that a lot of people hear Curren$y and it is a nice track to be introduced on (too bad he and Wayne don’t do music together any more). The song is good but Wayne talking about some shit about the sunrise at the end was a little corny.
This is a turning point in the album a lot of songs have a soulful sound after this one. On Tha Block #2 (Skit) Another Skit means another skip 12.
Hit Em Up Produced by Doe Boyz Although with the previous song Weezy F. Slowed it down, on this one he is right back to talking his shit. This song is amazingly raw and hard. He is in rare form “Any motormouth could get hung high/We don’t fuck wit niggaz like fungi/We don’t even hear ya/Hollerin bullshit nigga quit the diaherra”.
That’s the Wayne people wanted on. Carter II Produced by T-Mix & Batman This is the same beat Weezy touched on “Fly In”. He does a good job with it once again. His wordplay reminds me of Jay, true but at times I hear Cameron in him too.
“Yeah I’m from New Orleans, the Creole cockpit We so out of it, zero tolerance Gangsta gumbo, I’ll serve ’em a pot of it I’m wealthy, still fuckin wit that block shit Wet your ass up, head to feet til your sock a drip” 14. Hustler Musik Produced by T-Mix & Batman This is my favorite song on the entire album. This is a very soulful beat and it seems like Lil’ Tunechi has some substance and feelings behind these bars. “Money is the motivation Facing the avenue Back touchin’ the wall Got the weed Got the gun Gotta run wen I hear that bird call” Wayne really delivers this song showed his growth a lot. Back in the day he probably would have been too scared to even touch this beat, let alone what he did with it. Receipt Produced by Heatmakerz A love song?
From Lil Wayne? MOB Lil Wayne? No but seriously this is a nice song. He definitely gets his grown man on, “Uou been peepin me since I was younger/So young that you even called me your little brother”. He was really feeling Ms. Shooter Featuring Robin Thicke; Produced by Robin Thicke Another Rock influenced song, but Robin Thicke brings a more subtle feel to this on.
Both artist bring a ton of energy but Wayne takes a stand to talk about how he views southern rap. “And to the radio stations, I’m tired o’ being patient Stop bein’ rapper racists, region haters Spectators, dictators, behind door dick takers It’s outrageous, you don’t know how sick you make us I want to throw up like chips in Vegas But this is Southern face it If we too simple then y’all don’t get the basics” Powerful statements the young Carter is making.
Weezy Baby Featuring Nikki; Produced By Deezle The Song is a little lackluster in comparison to the rest of the album. Some days I listen to it others I don’t.
On Tha Block #3 (Skit) The last skip on the album. I’m A Dboy Featuring Birdman; Produced by T-Mix & Batman & Malkam Dior You knew just like I knew it would happen. Brain “Baby” Williams made an appearance on the album. Fortunately Wayne is talented enough that you really don’t pay the Birdman any mind. This track is defiantly serves as somewhat of with not only the production but also the Wayne line, “Thinkin’ of a masta plan/I get money but I’m thinkin of a fasta plan/I’m tryin’ to cash it in”. It is nice to see that Wayne is a student of great Hip-Hop.
Feel Me Produced by Doe Boyz Nice concept song, Wayne uses his verses as answerers to interview questions. More importantly this is really the only song on the album where he spoke on New Orleans post Hurricane Katrina. “I got to bring the hood back after Katrina/Weezy F. Baby now the F is for FEMA”. Get Over Featuring Nikki; Produced by Cool & Dre This song sees Wayne get emotional over the loss of his Step Father.
His first verse really says it all. Hailing from the West side of the country, Las Vegas to be exact, DuB was a fan of the website before he became a writer over here at the Fro'. He said, 'I came for the Certified Bangers, but stayed for the Hip Hop'. Once he saw what the site had to offer, he contacted us and asked if there was a position opening. Although we explained that we couldn't pay him initially he was still down for the cause. He officially joined the team in October of 2010, and has been putting in work ever since.
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Along with Arkitek, DuB has helped Fro' Nation hear the voice of the West Coast.
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A game-changing artist and celebrity, Lil Wayne began his career as a near-novelty - a preteen delivering hardcore hip-hop - but through years of maturation and reinventing the mixtape game, he developed into a million-selling rapper with a massive body of work, one so inventive and cunning that it makes his famous claim of being the 'best rapper alive' worth considering. Born Dwayne Michael Carter, Jr. And raised in the infamous New Orleans neighborhood of Hollygrove, he was a straight-A student but never felt his true intelligence was expressed through any kind of report card. He found music was the best way to express himself, and after taking the name Gangsta D he began writing rhymes.
Combining a strong work ethic with aggressive self-promotion, the 11-year-old convinced the Cash Money label to take him on, even if it was just for odd jobs around the office. A year later, in-house producer Mannie Fresh partnered him with the 14-year-old B.G. And dubbed the duo the B.G.' Although only B.G.'
S name appeared on the cover, the 1995 album True Story has since been accepted as the B.G.' Z debut album both by fans and the Cash Money label. The 1997 album Chopper City was supposed to be the follow-up, but when Wayne accidentally shot himself in the chest with a 9mm, it became a solo B.G. That same year, he officially took the moniker Lil Wayne, dropping the 'D' from his first name in order to separate himself from an absent father. He joined B.G., Juvenile, and Young Turk for another Fresh project, the teen hardcore rap group the Hot Boys, who released their debut album, Get It How U Live!, in 1997. Two years later, Cash Money would sign a distribution deal with the major label Universal.
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Mainstream distribution would help that year's Hot Boys album Guerrilla Warfare to reach the number one spot on Billboard's Top R&B/Hip-Hop Albums chart. In 1998, Lil Wayne would appear on Juvenile's hit single 'Back That Thing Up,' or 'Back That Azz Up' as it appeared on Juvie's album 400 Degreez. Wayne would launch his solo career a year later with the album Tha Block Is Hot, featuring the hit single title track. It went double platinum but the rapper was still unknown to Middle America, since his hardcore rhymes and the rough Cash Money sound had not yet crossed over. His second album, Lights Out (2000), failed to match the success of its predecessor but it did go gold, and with an appearance on the Big Tymers' hit single '#1 Stunna,' his audience was certainly growing. While Fresh was primarily responsible for launching his career, Wayne was now much closer to Fresh's fellow Big Tymer and Cash Money CEO Birdman.
When Juvenile left the label, Wayne - or 'Birdman Jr.' As he was calling himself - showed his allegiance to his CEO by releasing an album with a title much hotter than Juvie's breakthrough effort. 500 Degreez landed in 2002 and while it went gold, rumors began flying about Cash Money's financial troubles and possible demise. The rest of the Hot Boys had defected and Wayne's planned 2003 album was scrapped, coming out instead as an underground mixtape called Da Drought.
Wayne became enamored with the mixtape world after Da Drought drew so much attention from the hip-hop press. He used these underground releases to drum up anticipation for his next official album, the breakthrough effort Tha Carter. Released in 2004, the album seemed familiar on one hand with Mannie Fresh's production, but the Wayne on the cover was a dreadlocked surprise, and the rhymes he laid on the tracks showed significant growth. His marketing skills had become sharper, too, and it was no mistake that the album's hit single, 'Go DJ,' mentioned hip-hop's greatest tastemakers right in the title.
It reached number five on the singles chart, and with a guest shot on Destiny's Child's number three single, 'Soldier,' Wayne had officially crossed over. On the flip side, his street cred was supported by a slew of mixtapes released in 2005, including the popular titles Dedication with DJ Drama and Tha Suffix with DJ Khaled.
Cash Money's future was no longer in doubt and traditional music business rules no longer seemed to apply, as tracks would be leaked onto the Internet and various DJs' mixtapes. 'Get Something' was another bold move, as a Universal-funded video was made without the track ever seeing official release. With his alternative marketing scheme working in overdrive, the 2005 landing of Tha Carter II was a major event, selling over a quarter-million copies the week of its release. 'Fireman' and 'Shooter' with Robin Thicke were released as singles, while the album - which for the first time featured no Mannie Fresh productions - went platinum. It also introduced his Young Money posse, with appearances from Currensy and Nicki Minaj, and initially came with a bonus disc featuring Wayne's greatest hits screwed and chopped by Swishahouse DJ Michael '5000' Watts. A year later he collaborated with Birdman for the Like Father, Like Son album, featuring the hit single 'Stuntin' Like My Daddy.' His mixtapes were still flooding the underground, including the stunning Dedication 2, which came with an iconic image of the rapper on the cover plus the much talked-about track 'Georgia.Bush,' a venomous response to President George W.
Bush's handling of the Katrina disaster. With no official follow-up to Tha Carter II in sight, numerous collaborative tracks kept the rapper in the mainstream with 'Gimme That' by Chris Brown, 'Make It Rain' by Fat Joe, and 'Duffle Bag Boy' by Playaz Circle becoming three of the biggest hits. Tha Carter III was promised for 2007 but didn't arrive until a year later, setting off Wayne's infamous reputation of delayed releases.
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Part of the problem became unauthorized leaks of the album's tracks, something combatted by the official, downloadable EP The Leak released that same year. Preceded by the number one hit 'Lollipop,' Tha Carter III arrived in May of 2008, selling more than a million copies in its first week of release. An appearance on Saturday Night Live and four Grammy Awards - including Best Rap Album - spoke to Wayne's mainstream acceptance.
He also performed at that year's Country Music Awards with Kid Rock, but rather than rap, he played guitar. The guitar playing was part of Wayne's new involvement with rock music, including his help in signing Kevin Rudolf to Cash Money plus an appearance on Rudolf's massive hit 'Let It Rock.' His planned rock album was previewed with the 2009 single 'Prom Queen,' but when the album failed to meet its promised April release, the music press began to portray the rapper as the king of missed street dates. Unconcerned, Wayne forged ahead with his Young Money crew, releasing the underground mixtape Young Money Is the Army, Better Yet the Navy, the aboveground single 'Every Girl,' plus the official album We Are Young Money that same year. His rock album, Rebirth, would finally appear in early 2010, which coincided with Wayne being sentenced to a nine-month prison term for criminal possession of a weapon.
The rapper may have been behind bars on Riker's Island, but that didn’t stop his ten-song EP, I Am Not a Human Being, from seeing the light of day in September 2010. Tha Carter IV was finally released in 2011 along with its lead-off single '6 Foot 7 Foot.' The album reached the top spot on the Billboard 200.
In 2013, unfazed by criticism that a controversial verse he contributed to Future's 'Karate Chop' - he made a reference to Emmett Till, a black teenager gruesomely murdered in 1955 by white men - was in poor taste, Wayne released a second volume of I Am Not a Human Being. The album debuted at number two and featured the singles 'No Worries' and 'Love Me.' A sequence of singles intended for the repeatedly delayed Tha Carter V ensued, with 'Believe Me,' featuring Drake, an addition to Wayne's stockpile of certified platinum hits. Another track - 'Nothing But Trouble' featuring Charlie Puth - was released in 2015 as a contribution to the soundtrack for 808: The Movie. That same year - to make up for fan disappointment over Tha Carter V's delays - Wayne self-released Sorry 4 the Wait 2. By 2016, Wayne had become embroiled in a legal battle with Birdman and Cash Money Records, further complicating the fate of Tha Carter V. These continued delays prompted the release of Free Weezy Album, yet another mixtape to tide over his fans.
By the end of the year, he published a memoir about his time spent at Riker's Island (Gone 'Til November) and scored another hit with 'Sucker for Pain,' a collaboration for the chart-topping Suicide Squad soundtrack. Mayakkam enna song download. Featuring Wiz Khalifa, Imagine Dragons, Logic, Ty Dolla $ign, and X Ambassadors, the all-star track topped the Billboard rap chart and rose to number three on the R&B/hip-hop chart.
David Jeffries.
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